Bronson isn’t a plot-heavy film. Instead, director Nicolas Winding Refn focuses primarily on Bronson’s relationship to art, and his transformation as an artist. This is largely what makes the film work. If it were simply a biopic about a violent prisoner, it would be one of those really serious (and really boring) Oscar dramas. Instead, the director makes the film interesting by borrowing stylistically from independent films from the 40s and 50s, with avant-garde aesthetics. The first shot of the film is of Bronson looking straight at the camera, with a black background. After two lines, the camera cuts to Bronson’s back, and we see he’s on stage with an audience in front of him. Full post up at Video Word Made Flesh.